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The Word is Warmth

by M.M. Bianchi

“Approaching the front door,” flanked by glass and topped by a clerestory, “you can see directly through the house into the forest beyond, giving you a taste of the view to come,” says architect Ben Settle. Linear pavers with a “serpentine outer edge” are visually in keeping with the sunken Zen garden on the home’s lower level.
Photo by Ryan Theede


Rugged rock and not-white walls distinguish modern riverfront home


“After some soul searching, we dismissed beaches and lakes,” says the owner of an artisanal modern residence in Madison County. Instead, during the time she and her husband were hunting for a site to launch their heritage homestead, “the mountains were calling.”


But not all water was forsworn. The ancient French Broad River at its most wild and scenic — between cliff banks 280 feet high — proved irresistible to the couple. “We wanted a place that would lure our children — and someday grandchildren — to visit: a special place for all future Thanksgivings, Christmases, and summer vacations,” says the homeowner, “and, simultaneously, a place versatile enough to house [us] in retirement.” Mountain beauty aside, “an inclusive culture and high-speed Internet for my husband’s tech career” were also important.


The private community contains walking trails, a pool, a river park with boating access, and a clubhouse: everything to keep a pair of discerning introverts close to home: “Perfect for us hermits,” says the homeowner. “And the neighbors are very welcoming.”


Such a mood aligns gracefully with the home’s aesthetics. “The word is warmth,” says designer Jennifer Scott of Tyner Construction, who chose the home’s interior architectural finishes and palette. Locally sourced Doggett Mountain stone, a bold textural element, makes up a massive two-story hearth and covers select walls. (The look was inspired by an old stone bridge nearby.) Custom birch kitchen cabinetry with panels reaching to the 22-foot ceiling is another inspired innovation. 


Scott notes that many of today’s new builds feature bright-white interiors. This look imparts a blank-slate feel and reads clean and modern. However, it can also come off as sterile and cold. “We wanted to give the home life,” says the designer. Such a space, rich with atmosphere, “meant no white walls,” she emphasizes. She went with Benjamin-Moore’s earthy shade “River Reflections,” an aptly named choice.

Kayla Burris with Atelier Maison Co., a local business that specializes in sustainably sourced furnishings with non-toxic finishes, helped fulfill what she calls “a cozy yet sophisticated vibe.” In addition to all the home’s major furniture pieces and textiles, she picked out rugged-chic Taracea coffee tables and side tables.“They’re made from naturally fallen wood,” she adds. “These are unique works of art.”


The dream team that the homeowner calls “seamless” and “superlative” was shepherded by architect Ben Settle with Arcisan, Inc., in Greenville, SC, a firm guided by biophilic principles — respecting the ecology of a site while “promoting wellness through a direct connection with the natural environment,” as Settle describes it.


A series of staggered low-slope rooflines keeps the exterior lines clean and the horizon free: It’s hard to tell from a direct approach that the house has more than one level. Inside, floor-to-ceiling glazing embraces the span of the lush surrounding wilderness. “Opening the 15-foot-wide bifold doors onto the outdoor terrace literally removes the boundary between outdoor and indoor [environments], allowing fresh mountain air and the sounds of the river to permeate the interior,” says Settle.


Showing reverence for the region, he refers to the surrounding peaks by name. The home’s bird’s-eye view bends “upstream and downstream … wrapping around Slaty Knob,” the architect remarks. “You also catch a glimpse of the railroad tracks that wind along the northern bank. We knew that capturing as much of this view as possible would be paramount.”


The Butterfly Effect

The homeowners are enthusiastic collectors of local art, including canvases by abstract painter Linda Gritta, who’s represented by Bender Gallery. In its gold frame, “Pipevine Swallowtail II” — the title refers to a breed of butterfly — adds a vivid splash of color to the smoky-dark powder room. Gilt accents and a globe chandelier add an Art Nouveau vibe.


Grand Scheme

Design Services Manager Kayla Burris of Atelier Maison & Co. chose the Taracea side tables and Boden sofas from Robin Bruce, “which showcase deep charcoal velvet and a washed oak frame,” she says. “The ‘Atticus’ chairs, with their beautiful ‘Fontana Almond’ leather and angled metal frame, introduce an industrial touch to the great room.” The fireplace surround of regional stone is enhanced here by a floating concrete hearth by Ennis Art.

A pocket bar, also in birch (Kitchens of the South), picks up the industrial-chic feel with a rectangular black backsplash that visually complements the pantry door, the tops of various side tables, and the custom steel range hood.

 

Baking With Birch

The rich, distinctive cabinetry array, with polished birch panels reaching all the way to the ceiling per a vision of the homeowners, was crafted by Kitchens of the South (the company’s owner is Kevin Smith). So pertinent is this structural element that designer Jennifer Scott calls the home “Birch River Retreat.” The gleaming quartz island is from Mountain Marble, brilliantly contrasted against a range hood of blackened steel (Production Welding & Fab). 


The Current Look

The east-facing primary bedroom enjoys a storybook vista of the river and surrounding mountains. Panoramic glazing by architecture firm Arcisan, Inc., is trimmed with awning windows to catch high-elevation breezes. The “April” bed is from Cisco Home and the sofa is “Tuck Bench” from Arteriors in a bone linen shade. All furniture and textiles are from Atelier Maison & Co. 


Life Is Suite

In the primary bath, a mitered-edge quartz countertop from Mountain Marble supports his-and-her sinks and complements a trio of square frameless mirrors. The floating birch cabinetry by Kitchens of the South sustains the kitchen theme. Porcelain backsplash tile is from Crossville Studios. Ottoman sourced through Atelier Maison & Co. A deep soaking tub from Ferguson (right) not only drinks in the river-mountain view, it leads spa-like to one of the house’s many viewing decks. 

Photo by Ryan Theede

 

All-Season Solution

“Large Glulam timbers are present in many areas of the home, allowing for dramatic spans and cantilevers,” notes architect Ben Settle, principal of Arcisan, Inc. These deep overhangs protect the exterior from the rainy microclimates of the region, and retractable screens protect the inhabitants. Durable outdoor furniture, much of it in handcrafted aluminum (Atelier Maison & Co.), also creates a multi-season room. “The way we incorporated modern with ‘mountain’ — the somewhat rustic elements — makes a good balance,” says Jennifer Scott, architectural interior designer with Tyner Construction.


Rocky Landing

Local Doggett Mountain stone trims the exterior and interior of this modern estate; the surface was inspired by an old stone bridge on the nearby French Broad River. A roomy garage expands the sense of welcome. After moving around a lot, the owners now feel settled in a home that will lure their grown children and future grandchildren to visit — “a special place for [special occasions].”


Resources

Architect: Ben Settle, Arcisan, Inc. (Greenville, SC)


Builder: Tyner Construction Co. (Burnsville)


Interior Design: Jennifer Scott (Tyner Construction Co.); Design Services Manager Kayla Burris (Atelier Maison & Co.), Asheville and Cashiers


Cabinetry: Kitchens of the South (Hendersonville)


Custom Woodwork: Floating bath vanity (lower level) and grill by Custom Cabinet Works (Canton)


Custom Furniture: Atelier Maison & Co. (Asheville)


Stained Concrete: Lower-level floor and floating fireplace hearth by Ennis Art (Asheville)


Stone: Doggett Mountain (sourced through Tyner Construction Co.)


Countertops: Mountain Marble (Asheville)


Local Fine Art: Linda Gritta (Bender Gallery) and Molly Courcelle


Flooring: Hardwoods by Design (Granite Falls, NC)


Tile: Crossville Studios (Fletcher)


Steel: Production Welding & Fab (Arden)


Original article published October 2024

https://carolinahg.com/the-word-is-warmth/





By Lauren Stepp November 19, 2024
Warm and Inviting by Lauren Stepp
By By Kitchen Bath Design - August 8, 2024
ASHEVILLE, NC — The COVID-19 pandemic made a lasting impression on many people for many diferent reasons. For these homeowners, those years will be remembered as time spent making, and remaking, decisions about their new home that overlooks the city of Asheville, NC. “They had to deal with material shortages, long lead times, etc., but they got through it and now they have a modern mountain haven they can share with their family and friends,” says Maureen Jarock, designer, Kitchens of the South in Hendersonville, NC. Drawing inspiration from its natural setting, the home features a color palette and nish selections that pay homage to the Blue Ridge Mountains and bring the outdoors in. “Asheville is well known for its beautiful fall colors,” adds April Gahagan, design principal, FS Design Group, in Asheville, NC and Knoxville, TN, noting additional collaboration with Milestone Contracting. “We wanted to showcase those colors, especially greens, browns and warmer tones, throughout the house.” In the kitchen, that translates to custom Cuisine Idéale cabinetry in a mix of walnut and paint, speci cally Urbane Bronze, a brownish/gray tone from Sherwin Williams’ neutral color family. Both are highlighted with soft gold-toned hardware from Top Knobs. “They like modern architecture, but they also wanted their home to be a comfy, warm space,” reports Jarock. “The walnut, with its highs and lows, mixes well with the paint color, which has a grounding quality to it.” The painted cabinetry serves as the perimeter base cabinetry and extends the length of one entire wall oor to ceiling, encompassing a paneled 42" double-door Sub-Zero refrigerator, 24" Sub-Zero wine refrigerator and a 42" double pantry, which was an important inclusion given the absence of a designated pantry. One complexity of the wall focuses on how Jarock con gured the corner. It includes an appliance garage, which the homeowners use to conceal their co ee maker, tucked beneath the intersecting walnut wall cabinets. A pair of narrow cabinets, stacked on top of each other, store accompanying mugs, etc. “There is so much going on along that wall,” Jarock indicates. “It required a lot of thought to ensure everything was aligned properly and performed correctly.” CENTRAL ISLAND ACTION The walnut cabinetry makes its appearance as the ventilation hood surround, which is comprised of three individual panels that make it easy to access the appliance should repairs ever be needed. As well, the wood serves as floating shelves and as accents in the open niches of the tall painted cabinetry, all of which are symmet- rical to each side of the hood above the Wolf range. “Modern mountain architecture usually has a lot of glass, which means there isn’t a lot of wall space to show off special things,” offers Gahagan. “The floating shelves and open boxes on the cooking wall and sink wall give the homeowners a place to display keepsakes they find during their travels.” Walnut is repeated as the upper cabinets along the sink wall and as the foundational base for the island, which features a recessed toe kick on all four sides. “The toe kick, as well as the open cabinetry, gives a visual lift to the space and helps to make it feel more contemporary and elevated,” reports Jarock. The island, sized to be as large as possible while still offering adequate traffic flow around it, provides convenient in-kitchen seating for the homeowners and their guests, including their grandkids. As well, its uninterrupted surface serves as an expansive serving station for entertaining. “She very much wanted the island to be a gathering place,” Jarock explains. “Our clients also like to have breakfast together in the morning, so seating at the island is important,” adds Gahagan. “And she likes to sit and talk to her husband while he cooks. It keeps her close to the action.” A custom light fixture from Lexington Glassworks floats above and offers illumination via its five hand-blown glass globes. “We wanted the decorative lighting to be quiet, yet bring out the soft hues of the kitchen palette,” Gahagan relates. “The hand blown glass also supports a desire to highlight craftsmanship and natural components that don’t look quite so brand new.” To further support the natural vibe, Gahagan suggested the use of natural stone for the island top. “We knew we wanted to use a natural stone because we wanted to have a lot of movement throughout the house,” she explains. “We searched far and wide before finding this Crystal Fusion quartzite. It works well with the walnut, which also has a unique grain pattern. She loves how the intricacies of the veining of the quartzite work with the grain pattern of the wood. They play off of each other nicely. And the stone’s polished finish provides a contrast to the matte walnut.” As a complement, the nearly solid white quartz perimeter countertops allow the quartzite to shine, as does the backsplash comprised of zellige tile from WOW in varying shades of white. Natural light flows into the space via an expansive wall of windows in the adjacent dining room, which also features a beam/tongue-and-groove ceiling that connects it to the walnut cabinetry in the kitchen. A pair of windows, trimmed in black, provide additional light in the kitchen. “The house itself is asymmetrical on the outside,” Gahagan relates. “In a traditional layout, the sink would be centered under a window. But in this kitchen, offsetting the sink gives a little play on the cabinets so it isn’t too expected or stuffy. It’s fun to be playful!” 
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